Morbid Tabernacle

Riot - Thundersteel

2011-11-22T02:34:00.002-07:00

Genre: Heavy Metal

Country: United States

Year: 1988

Label: CBS

Behold, one of the greatest heavy metal albums ever recorded. I mean this with full, unabashed sincerity; Thundersteel is, simply put, as close to perfect as a metal album gets. It has everything: awesome riffs, scorching leads, unforgettable vocals, killer rhythm section, and a production that leaves absolutely nothing to be desired. Every last note on this album strikes true, without a single wasted moment ever. It's actually amazing how enchanting this album still is to me considering how I have absolutely listened it into the ground. I really don't think it will ever, ever get old. Every single song on Thundersteel is a bonafide classic, with sweeping, catchy choruses and fantastic, thoughtful compositions that absolutely glow with the obvious fact that a lot of time, passion, and care were put into crafting them. Riot has released numerous high-calibur albums, like the rockin' Narita, the classic scorcher Fire Down Under (another essential album!), or the overlooked and underrated Nightbreaker, among others. But nothing ever came close to touching the pure, molten majesty of the mighty, ineffable slab of heavy metal perfection that is Thundersteel. Mark Reale must have channeled the very gods of metal themselves while penning the songs on this album, because there truly isn't a single weak moment across its entire length. Every riff is solid and serves a strong purpose, every lead is soulful and immaculately executed. And speaking of immaculate, holy shit did Tony Moore's vocals rip on this album! His performance here is one of the most awe-inspiring vocal endeavours I've ever heard. His vocal melodies have true life to them, soaring and dancing above the songs with purposeful power, all delivered with his signature charisma and incredible range. The timbre of his voice is very unique - the second you hear any song off this album, you instantly know who's singing. All the tracks have these incredible choruses that stick with you long after the music is over. It's just inescapable! This is some of the most memorable music ever penned. At this point in my writing, I cannot stress enough that I feel utterly helpless in accurately expressing how I feel about this album. I simply don't have the words for it. This is one of the best - and, in my opinion, important - collections of metal songs ever recorded. Thundersteel is an essential component to any headbanger's collection, an untouchable monument in a class of its own. Perfection.

For fans of Witch Cross, Liege Lord, Vicious Rumors, and Fifth Angel.

Thundersteel

Heathen Hoof - Rock Crusader

2011-10-24T02:11:00.002-06:00

Genre: Heavy Metal

Country: Finland

Year: 2011

Label: Metal Warning

Finland's Heathen Hoof is definitely a Very Cool Band. They mix influences from early NWOBHM, classic early-80s American heavy metal, and 70s hard rock to arrive at a timeless sound that really delivers. I was a big fan of their The Occult Sessions EP, so when their full-length dropped I was all smiles. This is really just a good, solid, unpretentious album brimming with honesty and a vibe that these guys really, really love rock 'n' roll and classic heavy metal. This album is almost too short to be a full-length, clocking in at barely over a half hour, and I wish it were longer because this is great music. The guitars have a kind of low-gain crunch to them, and the vocals are a gritty, throaty snarl that bring to mind bands like Tank or Motörhead. The songs in general are pretty much a timewarp back thirty years, but not in a hackneyed or smug way. It's 100% honest and heartfelt, like these guys are writing music like this because they couldn't imagine writing anything else, not because they're riding some kind of 'retro' trend. I feel like this band is probably best experienced live - there's just a kind of electric energy to it that seems like it would truly come to life in a live setting. Regardless, this album kicks ass and you'd do well to check it out. Righteous.

For fans of Tank, Metal Inquisitor, Motörhead, and Desolation Angels.

Rock Crusader

Bolt Thrower - Honour Valour Pride

2011-10-17T02:04:00.002-06:00

Genre: Death Metal

Country: United Kingdom

Year: 2001

Label: Metal Blade Records

Big, chunky, muscular death metal from the UK is the order of the day. These Brits truly worship The Riff. That's what Bolt Thrower is all about. This isn't technical or 'brutal' stuff; rather, Bolt Thrower chooses to steamroll over your blasted corpse with the iron weight of a Leman Russ Demolisher. Every single song on this album has these huge, monstrous riffs that rumble like the thunder of gauss-cannon fire, absolutely annihilating everything in their path. Due to their being one of the most consistent and long-lived death metal bands kicking, it's tough to choose a favourite Bolt Thrower album, but Honour Valour Pride would definitely be a top contender were I forced to do so. I just love the pummeling feel to the entire ordeal, the music really feels like the killer Warhammer-themed Games Workshop cover artwork. These guys (and gal) are masters at their craft, and will always be one of the coolest death metal bands in existence. If you're looking for a heavier-than-lead death metal album that relies on mid-paced anvil-crushing riffs to deliver the mortal blow, look no further. Crushing.

For fans of Benediction, Runemagick, Unleashed, and Cianide.

Honour Valour Pride

Metal Inquisitor - Doomsday for the Heretic

2011-10-14T00:22:00.005-06:00

Genre: Heavy Metal

Country: Germany

Year: 2008

Label: Hellion Records

I cannot begin to tell you just how fucking hard this album rocks. Everything about Doomsday for the Heretic is a metal fan's dream come true: killer riffs, awesome vocals, cool lyrics - these Germans have it all. There is absolutely no bullshit to be found here, just pure heavy metal played the way it was meant to be played. Every chorus is memorable, every riff demands your head to bang until you snap your neck, every solo gives you no choice but to break every string on your air guitar. The guitar tone is perfect, low gain but crunchy so every note cuts through the mix like a Visigoth's sword through a Roman's chest, with a full-sounding production that sounds absolutely killer when played very, very loud. El Rojo's vocals give me a kind of Manilla Road/Leather Nunn vibe, but he definitely has his own thing going on, and he really adds a cool element to the music. It should also be pointed out that there is nothing 'modern' to be found here - this is absolutely, heavy-handedly traditional - but the music feels very honest and alive. There is nothing contrived or stale-feeling about Metal Inquisitor's approach; these guys clearly live and breathe heavy metal, and they are irrefutably making a relevant contribution to the genre. Any fan of true heavy metal cannot afford to miss out on these guys. Mandatory.

For fans of Leather Nunn, Motörhead, Manilla Road, and Judas Priest.

Doomsday for the Heretic

Root - The Temple in the Underworld

2011-10-13T23:58:00.005-06:00

Genre: Unclassifiable (Epic Black/Doom Metal?)

Country: Czech Republic

Year: 1992

Label: Monitor

Another absolute favourite of mine, Root is a Czech band whose genre is nearly impossible to pin down in a concise fashion. At their inception, they were a first-wave black metal band, having formed in 1987. Accordingly, their early output had a kind of Venom/Celtic Frost/early Bathory vibe, but as time went on, their sound evolved into something utterly unique and entirely their own. This, their second proper full-length, is my favourite album from their diverse discography. As previously stated, it is really difficult to describe the music at hand. I suppose I'd pin it somewhere in some kind of epic black/doom/death metal realm, but that doesn't even begin to do it justice. It really just has to be experienced first-hand. Temple in the Underworld is definitely an album that you should set aside some close-listening time for, as there is a lot going on here and it's really worth giving it your undivided attention. The vocals of the mighty Big Boss are, as with most Root albums, the most immediately memorable part of the band's sound. He issues forth a clean, resonant tenor as well as strange, throaty growls and everything in between, and listening to his charismatic delivery is truly a treat. Nobody - and I mean nobody - sounds like Big Boss. The moment he starts singing, there is no question which band you're listening to. But I don't want my enthusiasm for his vocals to overshadow the absolutely killer music on display here. Guitarist Petr "Blackie" Hošek is a true artisan at his craft, imbuing the songs with spectacularly imaginative riffs and structures. (He has, unfortunately, departed from the band, and his absence is definitely apparent in the post-Blackie material.) The battery is handled by Evil, and his drumming displays an enormous amount of skill and creativity. There's always cool cymbal work or intricate fills going on, and it really keeps things interesting in the rhythm section. There is a deeply pervasive atmosphere to this album, lending the entire length a very mysterious, arcane feel. The reverb-drenched production actually has a surprisingly professional edge to it, but it is by no means 'over-produced' or plastic sounding - it's full and heavy without sacrificing the organic feel this kind of music demands. This is a top-notch album played by amazing musicians. Easily one of the coolest extreme metal recordings ever put to wax.

Temple in the Underworld

Wolf - Edge of the World

2011-10-05T16:50:00.002-06:00

Genre: NWOBHM

Country: United Kingdom

Year: 1984

Label: Mausoleum Records

Wolf formed under the moniker Leviathan in 1977, later changing their name to Black Axe, and finally being persuaded by their record label to settle on the name Wolf. Under this name, they released Edge of the World, their only full-length album, and one of the most epic, haunting, powerful albums ever to emerge from the NWOBHM. The songs on this record really demand your attention thanks to the spectacular vocal performance by Chris English. He has just the right amount of grit for this style of music, and he commands a true master's knack for absolutely killer melodies that stick with you long after the album ends. Every single time I spin this, the choruses to 'Highway Rider' and 'Shock Treatment' are inevitably stuck in my head for the next couple days. Unlike many of their British peers at the time, Wolf had a bit of a melancholy edge to them that is really difficult to pinpoint in words, but it is definitely there, and it really gives Wolf something unique. That's not to say these boys didn't know how to rock - there are blues riffs in spades with swagger to spare, but some of the songs just have a kind of somber, epic vibe to them, which is part of what makes Edge of the World so great. If you're a fan of NWOBHM, or just a fan of sincere, passionately-written music with unforgettable vocal hooks in general, this album is absolutely essential listening. A tragically forgotten classic.

For fans of Witch Cross, Spartan Warrior, Blackmayne, and Grim Reaper.

Edge of the World

CastleAxe - Castlemaster

2011-09-28T20:31:00.002-06:00

Genre: Heavy/Speed Metal

Country: United States

Year: 2011

Label: Self-Released

Today I bring you one of the best bands from my local area. The outfit known as CastleAxe (after recently changing their name from Speitre) plays a balls-out brand of heavy/speed metal that is sure to get your head flailing and your sword-arm flexing. The twin guitar attack handled by Hölger and Grög forms the foundation of CastleAxe's sound, harkening back to the glory days of speed metal. Dual harmonies and leads abound, there is no mistaking what these guys are all about - real metal, no ifs ands or buts. Drummer Sürt and bassist Prybar provide a nice, solid base, rumbling along in a meat-and-potatoes fashion - no wonky crap going on here. Vocalist Manchester has a unique delivery, and CastleAxe would not quite be CastleAxe without his crazy, out-of-control-in-a-cool-way falsetto at the helm. The Castlemaster EP features four studio tracks and three live tracks, all with a very professional-sounding recording job. This is especially notable on the live songs, which sound absolutely fantastic, having been mixed post-performance. Plus, if you listen closely, you can hear me in the crowd. ;) I do want to make it clear that I am not just plugging these guys because they are friends of mine - I am posting this because I genuinely think it rules. Support!

For fans of Mercyful Fate, Artillery, Whiplash, and Portrait.

Castlemaster

*For some reason, Metal Archives rejected the submission for their name change and new EP, so for now you'll have to look CastleAxe up on Metal Archives as "Speitre", their former name.

Argus - Argus

2011-09-05T03:43:00.010-06:00

Genre: Heavy/Doom Metal

Country: U.S.A.

Year: 2009

Label: Shadow Kingdom Records

Time for another installment of "I Will Never Have the Words to Describe How Incredible This Music Is". Seriously though, Argus is one of those rare bands who have managed to craft a sound that is both classic and timeless yet very much their own. This has been one of my most-played albums since around its release in 2009, and I still spin it regularly. The music at hand is heavy metal with a doom streak running through its core. The songs are generally at a mid-paced stomp, but occasionally they do wander into monolithic, arcane doom territory. There is a lot of dual-guitar sorcery going on here, and it yields truly spectacular results. The twin-axe brew concocted by Argus' resident string-slinging duo of Jason Mucio and Erik Johnson is a low-gain affair with plenty of crunch to spare, and the approach fits the music perfectly. The twisted, winding licks and bone-crushing riffs never cease to amaze, and every solo is inventive and immaculately performed. The rhythm section is a force to be reckoned with, marching forth with the combined efforts of Andy Ramage's expertly-handled bassery and Kevin Latchaw's genius drumming. The entire affair is topped off by the mighty, ineffable presence of Butch Balich, whose majestic, dire vocals are truly awe-inspiring. Every single word on this album is sung with deep conviction and import. His delivery is simply gigantic; his voice fills the musical space in a way only the very best vocalists can manage. That being said, these guys are the real deal, the full package, the cream of the crop. This is truly incredible music. I could exhaust every superlative in the English language trying to express how much I love this band. Absolutely essential.

For fans of Sinister Realm, Doomsword, Solstice, and Hour of 13.

Argus

Hammer - Contract With Hell

2011-08-28T15:09:00.006-06:00

Genre: NWOBHM

Country: United Kingdom

Year: 1985

Label: Ebony Records

This will be a bit of a shorter one in the interest of time, but I wanted to make sure to bring you guys something seeing as it's been a couple days since I last posted. Hammer was one of many one-off NWOBHM outfits who released a single album and then disappeared. Hey, at least they released a proper full-length - many of the bands from the movement didn't even make it that far. The cover artwork suggests a much darker affair than the music actually offers, as the tunes here are relatively upbeat rockers with a smattering of keyboard work here and there (we're talking rock organs and synthesizers, this is 1984 Britain after all). There's a lot I like about Contract With Hell; cool production, solid riffs, and great vocals. This is just a good, fun album that is absolutely certain to please fans of the NWOBHM.

For fans of Saracen, Dark Star, Demon, and Blade Runner.

Contract With Hell

Skullview - Kings of the Universe

2011-08-23T16:05:00.003-06:00

Genre: Heavy Metal

Country: U.S.A.

Label: R.I.P. Records

Year: 1999

Here we have one of the most criminally overlooked bands in the U.S. underground. Skullview are a true through-and-through heavy metal outfit playing a take on the genre that crushes like a thousand-ton hammer of war. All of their albums completely fucking rule, and it was nearly impossible to choose which one I wanted to post first, so I went with the one that had my favourite artwork (painted by the inimitable Kris Verwimp). One of the things that really makes Skullview stand out is the vocals of Mike "Earthquake" Quimby Lewis, a man whose embedded nickname instantly makes sense the first time you hear him. His voice is somehow insanely chaotic yet entirely under control - every time you think what he's singing is going to get away from him, it locks right in and rips your face off. He's a very, very unique vocalist in a good way, and the second he starts singing you know you're listening to Skullview. The music that he sings over is simultaneously heavy, barbaric, and epic, distilling everything that is great about true heavy metal down to its bare essence and unleashing it full-bore through your speakers. The riffs gallop, stomp, and charge across the raging battlefield that is the band's rhythm section. The compositions can be surprisingly complex at times; the songs herein are generally far removed from standard rock structures, offering something more arcane and adventurous. It's really a shame that these guys don't get talked about more. Skullview are unheralded heroes of American heavy metal, and they are definitely not a band to ignore.

For fans of Manilla Road, Dantesco, Manowar, and Satan's Host.

Kings of the Universe

Chastain - Ruler of the Wasteland

2011-08-20T23:08:00.006-06:00

Genre: Heavy Metal

Country: U.S.A.

Year: 1986

Label: Shrapnel Records

This is a heavy, vicious United States heavy metal album featuring some of the meanest female vocals ever put to tape. Leather Leone's aggressive, powerful voice dominates the sound here, but that isn't to say that David Chastain's guitar work isn't blistering - the leads rip and the riffs scorch, all riding atop a pummeling rhythm section. Basically this just rules top-to-bottom. There's not much to say about Ruler of the Wasteland, but that's not a bad thing by any means - it's just a no-frills, no bullshit heavy metal album that rules from start to finish. My only real complaint here is that it's a bit short at under 37 minutes, and I'd like this thing to kick my ass for a little longer every time. Killer.

For fans of Vicious Rumors, Metal Church, and Warlock.

Ruler of the Wasteland

Solstice - New Dark Age

2011-08-18T06:36:00.007-06:00

Genre: Epic Doom Metal

Country: United Kingdom

Year: 1998

Label: Misanthropic Records

Behold, one of doom metal's greatest masterpieces. There is absolutely nothing I can write that will do this unbelievable music justice, but I will give it my best shot. I felt it appropriate to post this as a follow-up to Isen Torr, seeing as both bands are masterminded by Rich Walker. So, enter Solstice: this is true, epic doom in a one-of-a-kind vein that simply cannot be imitated, standing right up there with Candlemass' Nightfall as a towering monument to what the genre is capable of. Crushing, megalithic riffs wander across rich, sweeping soundscapes as unforgettable lead melodies wind their way over it all. Deep, arcane atmospheres absolutely envelop the listener throughout - but not without plenty of moments that induce compulsory headbanging! Solstice certainly haven't forgotten the 'metal' part of doom metal, churning out riff after riff of pure molten steel. The distinctly British vocals of Morris Ingram feel a bit strange at first to some listeners, but I assure you, they will grow on you until you wouldn't have anyone else at the mic. His English folk-infused delivery and unique diction add a lot to the atmosphere of the whole affair, and if it doesn't click with you during the a cappella break a third of the way through 'Cimmerian Codex,' then nothing will. Even the lyrics are in a realm of their own (definitely take the time to read them at some point, they're incredibly cool). There are definitely deeply-rooted folk influences throughout New Dark Age, but make no mistake, this is not teeny-bopper folk metal by any stretch of the imagination. There are no sugary keyboards, no borderline-hardcore yapping about plastic Viking helmets, none of the crap that usually comes with the words 'folk influence' (also note that this album was released in the early 90s, before that was all a common trend). Rather, it is intrinsic to the epic doom metal that Solstice plays, coming through tastefully in the leads and vocal melodies. What is truly awe-inspiring about this album, however, is how many moods and atmospheres it covers while each song still clearly feels like a part of a greater, cohesive whole. Walker doesn't let his propensity for long songs run amok - they are tightly composed and perfectly paced, with intriguing, complex structures that really keep the listener's attention through every last note. There are a couple of acoustic/vocal interludes as well, but again, that does not at all mean what it has come to mean these days. No, these are not pretentious, masturbatory exercises in "look at how mysteriously I can neofolk at you while being introspective in the woods." Instead, they are thematically consistent with the rest of the album, blending Walker's epic lyrics with Ingram's medieval English vocal style to further enhance the engrossing storytelling aesthetic. Everything about this album is damn near perfect. It takes my breath away every single time I spin it, and it has secured an unflinching spot among my absolute favourite albums of all time. There never has and never will be another album quite like this one. It is unique, beautiful, savage, complex, heavy, and epic in a sense not even remotely encompassed by the word. Absolutely essential.

For fans of Candlemass, Ereb Altor, While Heaven Wept, and Mael Mórdha.

New Dark Age

Isen Torr - Mighty and Superior

2011-08-16T05:27:00.007-06:00

Genre: Heavy Metal

Country: United Kingdom

Year: 2003

Label: Metal Supremacy

This is really a bittersweet one; more on that later. Mighty and Superior is the only release from Isen Torr, an English outfit featuring members of a handful of other awesome bands. The band is the brainchild of Richard M. Walker, guitarist of the mighty Solstice and head honcho of the legendary Miskatonic Foundation record label. Originally their plan was to release three EPs which told of the exploits of a mighty Saxon warrior. Unfortunately (and here's the bittersweet part), the band is now on hold due to, amidst a myriad of other problems, the death of vocalist Tony Taylor. Taylor's main gig was, of course, Twisted Tower Dire, one of the United States' absolute best heavy metal bands. His life ended abruptly in a motorcycle accident last year. It is uncertain whether or not Isen Torr will continue without him, and I'm not holding my breath. But tragedy aside, let's talk about the massive, sweeping, epic, timeless, unforgettable music on this lamentably short EP. It houses two songs and clocks in at just over 17 minutes, and god damn, what a 17 minutes it is! Every single time I listen to it, it takes my breath away. This is truly incredible heavy metal. Everything about it is perfect; the guitars are huge and heavy, the drumming is versatile and tight, and of course, the vocals are downright ultimate. Anyone who knows Richard Walker knows well his proclivity for amazing riffs, and they're in true form here. There's not a single wasted note at any point during Mighty and Superior, not one. The songs both clock in at over 8 minutes, yet they feel much shorter because of how hard they rule. Tony's vocals soar across the sonic battlefield of the music in a way only his voice could. There's no mistaking his pipes, and Twisted Tower Dire fans will immediately fall in love with this for that reason alone (though there is far more to love about it than just his singing, of course). The production is immaculate, with every instrument being clearly audible and suitably pummeling. The music has a larger-than-life quality to it, providing the perfect aural backdrop for the mighty tale of battle and glory purveyed by the lyrics. It's the kind of music that has you looking at the record or disc wondering how the hell they fit such massive sounds onto a small lump of plastic. As far as I'm concerned, this is a must-listen for any true-hearted heavy metal fan. Perfect.

For fans of Twisted Tower Dire, Atlantean Kodex, Solstice, and Battleroar.

Mighty and Superior

If you wish to delve a bit deeper into the history of Isen Torr, click here to check out an in-depth retelling of the band's story by guitarist Perry Grayson (who also handles guitar and vocal duties in Falcon as well as session bass work Pale Divine).

Witch Cross - Fit for Fight

2011-08-14T21:48:00.008-06:00

Genre: Heavy Metal

Country: Denmark

Year: 1984

Label: Roadrunner Records

Fit for Fight is the incredibly cool full-length release that (unfortunately) stands as the only long-player in the Witch Cross discography. When I say incredibly cool, I mean it: this album just plain rules from start to finish. I actually read a review of Fit for Fight on Metal Archives a while ago that echoed and confirmed the exact same sentiment that I've always felt about Witch Cross: vocalist Alex "Savage" Nyborg Madsen's voice bears a striking resemblance to Tony Moore, the man whose godly pipes graced Riot's Thundersteel album (one of the finest collections of songs the entire metal genre has ever produced). With that comparison jumping so immediately to mind, it should go without saying that Madsen's vocals completely and utterly rule. While he does serve as this album's highlight, the rest of the music is suitably rad as hell - this is one of those albums where, during at least one point in pretty much every song, you smile to yourself and think "damn, this owns so hard." And that's because it does! Witch Cross's one and only full-length was a well-written, expertly played, full-of-heart exercise in good, old-fashioned true heavy metal. It seems like every time I listen to it, I'm surprised by how good it is, no matter how many times I've heard it before. That's the sign of a great album right there. Definitely don't pass this one up.

For fans of Riot, Wolf (UK), Ostrogoth, and Desolation Angels.

Fit for Fight

Enforcer - Diamonds

2011-08-14T01:54:00.003-06:00

Genre: Heavy Metal

Country: Sweden

Year: 2010

Label: Earache Records

Holy shit, these guys nailed it! I mean they really nailed it! This album absolutely rips from start to finish. One of the first things I noticed about Enforcer was how damn British they sound. This sounds much more like the UK circa 1985 than it does Sweden 2010. That isn't to say it's entirely derivative; Enforcer have "it" - that special something that separates the good bands from the truly awesome ones. Everything about Diamonds is pure gold. Adam Zaar and Joseph Tholl have a killer low-gain guitar tone that lends fantastic clarity to the high-octane riffs, Tobias Lindkvist utilizes his clearly audible (but never overpowering) bass to crank out some truly cool bass lines, Jonas Wikstrand's drumming is energetic and tight, and Olof Wikstrand's vocals are of a rare quality. The guy's voice is really great, combining a high-end range with a healthy dose of wild, raw charisma - truly a treat to listen to. He has an incredible knack for wondrously catchy melodies. Seriously, you'll have half the album stuck in your head after first listen. The songs themselves were all clearly crafted with great care; not a single track gets boring, and they each have their own unique identity while retaining a cohesive feel as a whole. I've been spinning this regularly since its release last year, and it still hasn't gotten old. Basically, there isn't anything about Diamonds that sucks even a little, so get it, play it loud, bang your head, and thank the Metal Gods that these immensely talented Swedes got together to create this gem (pun most certainly intended).

For fans of Angel Witch, Diamond Head, Avenger, and Raven.

Diamonds

Saxon - Denim and Leather

2011-08-14T00:51:00.008-06:00

Genre: NWOBHM

Country: United Kingdom

Year: 1981

Label: Carrere

Ahhh, good ol' Saxon. These guys will be releasing killer records from their graves, I swear. This year's A Call to Arms was absolutely fucking awesome, and Biff Byford is 60 years old! The guy still sounds like a demon! For some reason, this band gets looked at as 'second-tier' NWOBHM band by a lot of people, and I will never for the life of me understand why. Hell, I even love their so-called 'mid-period slump'. But I digress; let's turn the clock back to 1981, when the mighty and criminally underrated Saxon unleashed Denim and Leather, one of the most essential releases in their rather expansive discography. This takes has everything that ruled about early NWOBHM and catapults it into the stratosphere. The riffs will rock your head right off your neck, the vocals are powerful and charismatic, the solos will leave your air-guitar in need of a serious tune-up - everything is just perfect. If you aren't all grins from the moment 'Princess of the Night' kicks in, then you simply aren't cut out for metal, there's no two ways about it. Every cut on here is a memorable, rip-roaring tour-de-force of hard rockin', blues riffin', rough-ridin' New Wave of British Heavy Metal served piping hot with a generous side of attitude. Biff Byford's unique, unmistakable vocals have always been one of the best things about Saxon, and naturally he's in top form here, and the axework provided by Graham Oliver and Paul Quinn is absolutely sublime. Steve Dawson and Pete Gill's workmanlike rhythm section forms a solid, well-performed foundation. It's probably no secret at this point, but Saxon is one of my all-time favourite bands. If you haven't taken the time to really check them out, I suggest you treat yourself. I'll definitely be posting more Saxon later on down the road, but this is a good place to start. After all, denim and leather brought us all together!

For fans of Demon, Angel Witch, Diamond Head, and Mythra.

Denim and Leather

Demon - Night of the Demon

2011-08-14T00:49:00.002-06:00

Genre: NWOBHM

Country: United Kingdom

Year: 1981

Label: Carrere

Another NWOBHM classic for you guys. Demon's debut full-length was more on the rockin' side of the NWOBHM than the duelling guitar pyrotechnics side, and trust me, Night of the Demon has swagger to spare. Despite the dark cover artwork and a brooding, evil intro track, this is actually a rather feel-good album overall. Solid, hard rockin' riffs are coupled with Dave Hill's powerful, gritty vocals to form the core of Demon's sound. There are definitely vestiges of 70s hard rock making their presence known across the album's breadth, lending an overtly bluesy flavour to more than a couple of the tracks. If you dig early NWOBHM with strong 70s rock vibes, Night of the Demon definitely won't disappoint.

For fans of Diamond Head, Rainbow, Saxon, and Dark Star.

Night of the Demon

Elixir - The Son of Odin

2011-08-12T20:06:00.006-06:00

Genre: NWOBHM/Epic Heavy Metal

Country: United Kingdom

Year: 1986

Label: None (Independent Release)

Elixir is a NWOBHM band that had a bit of a darker, more epic take on the genre. They did away the catchier, more upbeat rock-'n'-roll-infused approach of their countrymates in favour of galloping, stomping riffs and mid-ranged vocals. Elixir seems to have a nice helping of traditional epic U.S. heavy metal influence in their sound, a lá Omen or Brocas Helm, and it's a fantastic fit. They sound less barbaric and raw than the aforementioned American outfits, offering a slightly more 'refined' take on the style (for lack of a better word). Vocalist Paul Taylor's grittier, mid-ranged voice definitely invokes the late, great, and mighty J.D. Kimball more than just a little bit, and the album's production gives his voice a good amount of space in the music. The bass is also given ample breathing room, giving the entire ordeal a big, booming, expansive feel. This album is absolutely essential listening for fans of heavier, darker NWOBHM as well as American and Hellenic epic metal. A lost classic.

For fans of Omen, Brocas Helm, Cloven Hoof, and Battleroar.

The Son of Odin

Hey everybody, I'm back!

2011-08-12T20:03:00.007-06:00

It's been nearly a year since I last posted here on the Tabernacle. Just one month shy, actually. But here I am, writing to let you all know that I will be bearing the torch once more! I've made a new header and changed some colours to make it all official. Regular readers (if there are any of you left), please, be patient as I get back into the swing of things. I haven't done recreational writing for quite some time now, so my skills in this area are going to be a bit rusty (and the last thing I want is for Morbid Tabernacle to sound like all the boring education writing that I spend most of my time yawning over). But anyway, who cares? There's metal to discover! Onward to glory!

Hyborian Steel - An Age Undreamt Of...

2010-09-17T04:02:00.003-06:00

Genre: Epic Heavy Metal

Country: U.S.A.

Year: 2009

Label: My Graveyard Productions

Alright, alright, I know I'm a total sucker for this kind of thing. Robert E. Howard references everywhere, hand-drawn fantasy cover art, Manilla Road, Omen, Heavy Load, and Pagan Altar listed as influences by the band... yeah, I was bound to love this. Basically, this is along the lines of the epic heavy metal style first pioneered by the 'Road, and Hyborian Steel have provided us with a disc that seems to get better with each listen. There's a lot to enjoy here, but the highlights for me are the riffs (of course) and the production, which couldn't be more perfect for this album. It's difficult for me to describe exactly what it is about the atmosphere created by the music, but it is really something special. An Age Undreamt Of... truly takes you away to the Hyborian age with fantastic songwriting, great riffwork, tasteful, epic guitar solos, and a production that gives it all that authentic underground touch. If these guys keep up the good work, I think they have a pretty decent shot at becoming a go-to name as heroes of underground epic heavy metal. Mighty, true, and completely fucking worthy.

For fans of Manilla Road, Ironsword, Omen, and Atlantean Kodex.

An Age Undreamt Of...

Old - Down With the Nails

2010-09-17T03:36:00.001-06:00

Genre: Black/Thrash Metal

Country: Germany

Year: 2006

Label: Tyrant Syndicate

Awww yeeaahhhh, that's the stuff! I'm sure many of you are already familiar with this gem, but for those of you who aren't, prepare to have your face ripped off by this filthy, delicious, stripped-down slice of German black/thrash slayage. This is a zero bullshit album brimming with awesome riffs and vitriol-drenched vocals all wrapped in a savage, visceral production that couldn't be more perfect for this style of music. Down With the Nails truly captures that old-school feeling, and pulls it off with every ounce of genuine honesty one could hope for. As is the case with many albums in this vein, there's not much to be said beyond the fact that it rules. Old certainly didn't reinvent the wheel with this one, but they did a damn good job of paying homage to the music they obviously have a lot of love for - which is absolutely fantastic, because that's the point. Be sure to check this out if you in the mood for some good old-school beer-swilling face-shredding black-thrashing mayhem. Awesome.

For fans of Celtic Frost, Sodom, Darkthrone, and Destruction.

Down With the Nails

Bal-Sagoth - A Black Moon Broods Over Lemuria

2010-07-29T04:33:00.007-06:00

Genre: Symphonic Black Metal

Country: United Kingdom

Year: 1995

Label: Cacophonous Records

A band that requires no introduction, Bal-Sagoth has been churning out their own unique brand of epic symphonic black metal since 1989, their first demo surfacing in 1993. It wouldn't be until 1995, however, that the world would hear their their first full-length album. This is my favourite release from these fantasy-obsessed Brits, and they would never record an album quite like it again. The atmosphere is much darker here than on their later work, and the production evinces a more obscure, arcane atmosphere. Honestly, I think this is the band's most epic work. Many people will likely disagree with me on this, seeing as their future releases are drenched in keyboard symphonics, and while it's cool for what it is, A Black Moon Broods Over Lemuria had the most vivid and encompassing atmosphere which I feel really enthrones it at the top of their discography. Granted, I'm not intimately familiar with Battle Magic or Atlantis Rising, but the handful of listens I've given them seem to further cement my opinion on the matter. I find myself reaching for A Black Moon Broods Over Lemuria far more often than The Power Cosmic, Starfire Burning Upon the Ice-Veiled Throne of Ultima Thule, and yes, even the revered Chthonic Chronicles. As I mentioned previously, this is a decidedly darker album than anything that succeeded it, and I really like the way the symphonic elements aren't quite as over-the-top as they are on the band's other discs. Vocally, Lord Byron switched between the expected black rasps and his trademark spoken word passages, but he also used death growls that would never be heard again on a Bal-Sagoth album. I enjoy his vocal performance on this release immensely, and I actually feel that it was his best overall. Chris Maudling's riffwork is also a highlight, delivering a crushing fusillade of black and death metal magefire that stomps its way across the band's soundscape like an ancient warmachine. The combination of the leaden riffs and tasteful symphonics truly brings to mind the images of the cyclopean cities, eldritch spires, bloody battles, and unfathomable ancient gods that have always pervaded Bal-Sagoth's awesome lyrics. In short, this album is heavy, atmospheric, evil, arcane, and epic all at once - just the way I like it. Definitely worth checking out if you haven't already.

For fans of Emperor, Sear Bliss, Limbonic Art, and Summoning.

A Black Moon Broods Over Lemuria

Sacramentum - Far Away from the Sun

2010-07-25T06:02:00.004-06:00

Genre: Melodic Black Metal

Country: Sweden

Year: 1996

Label: Adipocere Records

Sorry about the delay on new posts, guys - I've been very busy over the past two weeks. But here I am now, so onward to more metal! Today I'm going with Sacramentum's Far Away From the Sun, an awesome and, according to many fans, criminally overlooked and severely underrated Swedish melodic black metal classic. The first discussion point when talking about this album is usually whether or not Sacramentum were just a Dissection clone. The answer here, I will venture to say, is no. Sure, the unmistakably Swedish melodic tendencies are there, as is the magnificent Kristian Wåhlin cover artwork, but Sacramentum were indeed their own band. While Dissection incorporated touches of death metal elements and went for a decidedly more aggressive approach on their landmark albums, Sacramentum had both feet firmly planted on the black metal side of the fence for this one, opting for a more atmosphere-centric sound, Far Away From the Sun being an ice-cold, mist-shrouded journey through majestic nightscapes that truly embodies its own unique identity. This is a beautiful, epic album with an awesome production that allows all the instruments to be heard while retaining a distant, reverb-saturated atmosphere. I really love albums that truly sound like the cover artwork, and this is definitely one of those cases, the freezing, majestic riffs taking the listener on a journey through dark, arcane fortresses, ancient sunless forests, and towering snow-clad mountains, an atmosphere that truly pervades the music from the beginning of the opening track to the terminal fade of the final song. At the very least, give this an attentive listen before writing it off as a Dissection clone. The similarities are certainly there, as mentioned before, but this is definitely a beast of its own.

For fans of Dissection, Thulcandra, and Abyssos.

Far Away from the Sun

Just For Fun

2010-07-16T04:30:00.005-06:00

A friend sent me a screenshot of this and I just couldn't resist posting it:

Hahaha, thanks for reading, everybody! Here's to 666 more!

Angantyr - Hævn

2010-07-14T03:50:00.008-06:00

Genre: Black Metal

Country: Denmark

Year: 2007

Label: Det Germanske Folket

This is one of those albums that I love so much that I have been putting off writing about it. As always with albums I feel so strongly about, I feel there's very little I can say that would do it justice, but I will give it my best shot nonetheless! Hævn is an album whose revelry in the epic is very honest and mightily profound, relying only on beautiful, haunting guitar riffs to create its gigantic, sweeping atmosphere. The melodies that pervade its generous hour and eleven minutes are gargantuan soaring hymns of fury, sorrow, triumph, and defeat. This is as good as it gets: no gimmicks, no cheeseball synthesizers, no pop melodies, nothing but one man's pure, honest vision of what great Nordic black metal should sound like. And what a vision it is! Many bands barely manage 'epic' with a full array of symphonic keyboard patches at their disposal; Angantyr pretty much defines the word with nothing but electric guitars. There are a few (read: FEW) parts where keyboards are utilized, but it's always tasteful, underpinning whatever musical idea is driving the song at the time, never taking centre stage but rather helping to flesh out the atmosphere of that particular moment. As I previously stressed, it is not often that the keys make an appearance, so this is in no way 'symphonic'. I believe Ynleborgaz himself refers to Angantyr's music as "raw melodic black metal", and that's certainly a fitting description. Yet despite the raw feeling of the production, it's surprisingly well done: the expertly handled drums sit perfectly in the mix (yes, this is a solo project with real drums!), allowing the majestic guitar melodies to really shine through. The bass is audible but, as should be with this type of music, is much more felt than heard. The vocals are a rasp very well suited to the style, and ride in the middle of the mix, sounding both distant and forceful. The extended cello outro at the end of album closer (and this blogger's favourite track) "Blod for Blod, Liv for Liv" is unexpected and truly moving, its beautiful, sorrowful melodies echoing in the listener's mind long after it drifts into silence. This is truly one of the best black metal albums I've ever heard, and is absolutely essential to the collection of any fan of the genre. Incredible.

For fans of Aldaaron, Windir, Odal, and Mourning Forest.

Hævn

Griftegård - Solemn, Sacred, Severe

2010-07-14T03:27:00.001-06:00

Genre: Doom Metal

Country: Sweden

Year: 2009

Label: Ván Records

Here we have a great old-school style epic doom metal band from Sweden. Solemn, Sacred, Severe has a cavernous atmosphere with big, slow, heavy riffs to back it up. The vocals are on the theatrical side of the spectrum, singer Thomas Eriksson wailing in a very emotive, expressive tone that truly suits the music. His voice is one of the high points of the album, adding a lot to the feelings of gloom and solitude invoked by the slow, sombre guitar work. This is definitely an album that requires a certain mood in which to listen to it, but when you're in said mood, it really, really hits the spot. If you don't enjoy Solemn, Sacred, Severe during your first listen, set it aside and come back to it later. You might be surprised at how much of a difference the proper setting can make for this doom gem.

For fans of Candlemass, Reverend Bizarre, and Isole.

Solemn, Sacred, Severe

Bewitched - Diabolical Desecration

2010-07-11T03:32:00.004-06:00

Genre: Black/Thrash Metal

Country: Sweden

Year: 1996

Label: Osmose Productions

This is some good ol' head bangin' fun from Sweden. Diabolical Desecration is all about simple, stripped-down black thrash (more on the thrash side) that gets to the point: no-frills here, just good riffs and down to business songs. These guys certainly have no intention of reinventing the wheel, which is fine, because this album is crackling with energy and riffy goodness. My one complaint is that I would have liked the production to be a bit more raw and visceral as I think it would have served the attitude of the music a bit better. Not to say the production doesn't work - I just would've preferred a more chaotic feeling. Small gripe aside, this album has some great riffs (which evince a very strong Motörhead vibe more than a few times) and is definitely a worthy addition to any black thrash fan's collection.

For fans of Nocturnal, Desaster, Midnight, and Sabbat.

Diabolical Desecration

Holy Martyr - Hellenic Warrior Spirit

2010-07-03T04:17:00.004-06:00

Genre: Epic Heavy Metal

Country: Italy

Year: 2008

Label: Dragonheart Records

Holy Martyr's debut full-length Still at War was one of the first posts I made on this blog, and now it's time for their second offering to make an appearance here on the Tabernacle. Hellenic Warrior Spirit is more of what made Still at War an instant classic: epic, epic, epic memorable songs jam-packed with killer riffs, rip-roaring leads, deft drumming, and awesome vocals, all wrapped in a full-bodied production that really brings out every instrument and allows the band's music to really shine through. Did I mention that this album is epic? No keyboards, no gimmicks, the soaring, sweeping feeling exudes from the riffs, vocal lines and arrangements themselves. Alex Mereu's charismatic voice is definitely a highlight here, delivering infectious melodies and anthemic choruses with incredible aptitude and character, and you really can't help but sing along to just about every last word on this album (warning: there is a chance your spouse/significant other/sibling/roommate/parents may walk in on you with a red blanket tied around your neck while raising a broomstick above your head as if it's a Spartan spear at any point during the song "Spartan Phalanx"). The lyrics again deal with Hellenic history and mythology, the themes of which lend themselves very well to the feeling of the music. I don't like this album quite as much as their debut, as I felt that Still at War was a bit heavier and more energetic, but Hellenic Warrior Spirit showcases a better production and still completely fucking rules. Three hundred men, the elite guard - you can't stop the Spartan phalanx!

For fans of Battleroar, Wishdoom, Omen, and Manilla Road.

Hellenic Warrior Spirit

Carnage - Dark Recollections

2010-07-03T03:39:00.007-06:00

Genre: Death Metal

Country: Sweden

Year: 1990

Label: Narcosis Records

Carnage was an early death metal outfit that included musicians who would go on to play in some of the biggest names in the genre (Entombed, Dismember, Carcass, and a handful of others). Basically, this, their only full-length release, completely fucking kills. It's heavy, dark, and menacing, with a production job that is very much a foreshadowing of what would come to be the staple Swedish sound. It was all here - that thick, leaden guitar tone that crushes your skull as it stomps away above drums that hit your chest like a warhammer and never give you a chance to catch your breath. This is the real deal, and one of the earliest bands in the scene. As with many classics, there's not much I can say that hasn't been said before, so I'll leave it at that. Mandatory.

For fans of Dismember, Grave, early Entombed, and early Hypocrisy.

Dark Recollections

Abyssos - Together We Summon the Dark

2010-06-30T02:06:00.005-06:00

Genre: Melodic Black Metal

Country: Sweden

Year: 1997

Label: Cacophonous Records

Holy riffageddon, Batman! Enter Abyssos, one of the most rifftastic bands in black metal. Every song this band has ever written is so jam-packed with cool guitar licks that I swear they're not even human. This was the first of the two albums released during their unfortunately short-lived career, and its sequel is of equal quality, so I decided to go with this one due to it being the band's original full-length effort. Now, before I continue, let me get this out of the way: this band sounds nothing - and I mean nothing - like Cradle of Filth, and the only reason people make comparisons is because they have lyrics about vampires. Really. That's it. There's no mallcore to be heard here, only top-notch, headbangin', catchy-as-hell melodic black metal. This stuff is guaranteed to have your air guitar flying and your head flailing, yet manages to retain a dark, misty atmosphere. There are sparse keys and a touch of clean vocals (both male and female) here and there, but they're used in strict moderation, which means Abyssos simply rely on their incredibly kickass riffs and ineffable knack for fantastic songwriting. Sure, the album cover is cheesy, but it's obviously rather tongue-in-cheek, and this really is gimmick-free music that exerts first-rate ownage of its own accord. These guys had their art honed to a science before calling it quits, and it yielded spectacular results. Overlooked and underrated.

For fans of Sacramentum, Dissection, Aldaaron, and Vinterland.

Together We Summon the Dark

Tyranny - Tides of Awakening

2010-06-29T23:39:00.005-06:00

Genre: Funeral Doom

Country: Finland

Year: 2005

Label: Firedoom

From the deepest filth-ridden crevasses of R'lyeh comes Tyranny, one of the most epic, evil funeral doom bands on the planet. Okay, they're actually from Finland, but the five sun-crushing dirges on this album will have you thinking Azathoth decided to write the ideal soundtrack to himself devouring the cosmos. The production is unfathomably huge, the drums sounding like they're rising from the furthest reaches of the ocean depths, the behemoth cyclopean rhythm guitars churning and writhing beneath sinister leads, all underpinned by subtle, textural keys that enhance the stygian, otherworldy atmosphere. Any sanity you might have left is utterly annihilated by the downright demonic vocals, whose visceral, infernal rumble truly thrusts Tides of Awakening into its own realm of incredibly malevolent universe-murdering funeral doom. This is a must-listen for fans of the genre.

For fans of Thergothon, Catacombs, Wormphlegm, and Colosseum.

Tides of Awakening

Pantheist - O Solitude

2010-06-29T17:22:00.004-06:00

Genre: Funeral Doom

Country: Belgium

Year: 2003

Label: Firebox Records

Pantheist are one of the defining bands of the funeral doom genre, largely thanks to this, their monumental debut full-length. O Solitude is a beautiful, intricate journey through an ever-changing soundscape, always sorrowful but never stagnant. This is probably one of the more diverse albums in the genre, as Pantheist use a variety of different instruments and keyboard textures to enhance their sound, and are even brave enough to pick up the pace every once in a while for heavy (if short-lived) head-banging sections. The vocals are also worthy of note, showcasing clean male vocals for a good portion of the album. The rumbling funeral growls are still present, of course, but the cleans definitely take centre stage, mournfully crooning above the music to create a lush, sombre atmosphere. This is one of those special funeral doom albums that really never gets boring or repetitive, always evolving, sometimes surprising, at other times with subtle finesse. Rest assured, doom fans: this album will captivate you from start to finish. Magnificent.

For fans of Skumring, Mourning Beloveth, Shape of Despair, and Colosseum.

O Solitude

Colosseum - Chapter I: Delerium

2010-06-25T03:06:00.009-06:00

Genre: Funeral Doom

Country: Finland

Year: 2007

Label: Firedoom

Finland's funeral doom heroes Colosseum unfortunately joined the ranks of the fallen on the 15th of May this year, having split up due to the untimely death of mastermind Juhani Palomäki. The legacy he left behind is nothing short of astounding, having forged some of the most gripping funeral doom ever put to tape. Palomäki got his start in the melodic doom outfit Yearning, and eventually went on to form Colosseum in 2006. A demo and two full-length albums were recorded before he passed away, and a third was recorded and is set to be released in his memory. As for the music itself, this is colossal, epic, dynamic funeral doom of the highest order, absolutely crushing everything in its path. Megalithic riffs wander their way across bleak, desolate landscapes through which which distant, inhuman vocals rumble, a foundation over which tasteful keys weep beautiful, mournful melodies. The drums are handled expertly, every last kick and snare hit taking the wind out of your chest thanks to a big, booming production job. This is funeral doom you can truly feel, always exploring new emotional landscapes, never letting go, never resting on its laurels. There isn't a boring note on this album - it remains interesting and fresh across its entire length. Chapter I: Delerium is pure sorrow, darkness, and lamentation distilled into audio form, at once dark, oppressive, haunting, and beautiful. Thank you, Juhani Palomäki, for the magnificent art you left us with. A thousand cheers to you, sir.

For fans of Shape of Despair, Pantheist, Skepticism, and The Howling Void.

Chapter I: Delerium

Forefather - Steadfast

2010-06-22T16:32:00.004-06:00

Genre: Folk Metal

Country: United Kingdom

Year: 2008

Label: Seven Kingdoms

As many of you know, I'm not a big fan of folk metal overall, but every once in a while a band rises above the generic masses of that genre and creates something truly awesome. Steadfast is Forefather's triumph. Brothers Athelstan and Wulfstan have packed this album so full of forceful energy and awesome riffs that it seems as if the CD will burst at any moment. Every single track has something cool to offer, and pretty much every song here is memorable, if not downright infectious. The vocals are really fantastic, especially the smooth, soaring cleans that are largely responsible for the way this album sticks with you, lending an awesome epic touch to the already fantastic songs. Another interesting aspect of Steadfast is that, while certainly within the realm of folk metal, there are no keyboards to be heard. The folk feeling of the album is derived entirely from the riffs themselves, which is extremely refreshing and handled expertly by the brothers Forefather. The lyrical concepts deal with Anglo-Saxon history, which is also extremely cool, and the album closer is actually a metal adaptation of a middle-English folk song (and it works very, very well indeed). The only drawback to this album is that the drums are programmed, whereas a real drum kit would have suited the full-force energy of the music better, but it's really a very small issue and does very little to detract from how awesome the album is. Even for those of you out there who, like myself, feel that folk metal has become a rather over-saturated and plastic genre, this breath of fresh air is definitely worth checking out.

Steadfast

Mercyful Fate - Melissa

2010-06-22T06:27:00.005-06:00

Genre: Heavy Metal

Country: Denmark

Year: 1983

Label: Megaforce

Alright, alright, I know everyone has heard this, but just in case one of you hasn't gotten around to checking out this classic, here's your chance to redeem yourself. There's really nothing I can say that hasn't already been said - the atmosphere is dark and epic, the riffs completely rule, the album as a whole was ahead of its time, and of course Mr. Diamond's vocals are, as always, the most memorable feature of the music (that's not to say the guitar work isn't incredibly awesome, because it totally is, but let's be honest... the King's voice is simply impossible to ignore). Everything about this album is genius, and it definitely deserves the classic status it enjoys. I suppose I'm really posting this for posterity's sake, because a metal blog without Mercyful Fate is like... well, a metal blog without Mercyful Fate, which is generally unacceptable.

Melissa

Atlantean Kodex - The Pnakotic Demos

2010-06-22T05:58:00.004-06:00

Genre: Epic Heavy Metal

Country: Germany

Year: 2007

Label: New Iron Age Records

Wow. Just... wow. There's no way I'll be able to do this justice in a short synopsis. This EP absolutely destroys me every time I listen to it. In just over 30 minutes, this German outfit has managed to create a musical tapestry that is so massively epic that it barely fits on the vinyl it's printed on. This is truly incredible music, especially coming from a band that has yet to release a full-length. I cannot express how excited I am to see what these guys are capable of in regards to their upcoming long-player (which I am hoping is due out very soon - it's been three long years since the release of The Pnakotic Demos); my expectations are very, very high, and I have no doubt that they will be exceeded. I'm already convinced that when it is finally released, it will immediately be an undeniable metal classic. This EP is just that fucking good. It has everything: megalithic riffs, massively epic and immediately memorable choruses, cool lyrics, gigantic atmospheres, and plenty denim-and-leather attitude to spare. This is good old-fashioned epic heavy metal forged with passion and vision, and these guys very obviously have a deep affection for the genre they're playing, because it shines through every last note. I really wish The Pnakotic Demos were longer, and I find myself reaching for the repeat button over and over again. Genius, absolutely genius. Think Manilla Road meets Bathory - this is some seriously epic stuff! I just can't say enough good things about this band - listen, love, and impatiently await their upcoming debut full-length. Damn near perfect!

For fans of Manilla Road, Bathory, Doomsword, and Solstice.

The Pnakotic Demos

Wallachia - From Behind the Light

2010-06-22T05:29:00.006-06:00

Genre: Black Metal

Country: Norway

Year: 1999

Label: Velvet Music International

Here's a very cool and seemingly forgotten gem of 90's Norwegian black metal. Wallachia is the one-man project of one Lars Stavdal, who is accompanied by a rotating cast of session musicians. From Behind the Light is a medieval-flavoured musical quest that immediately creates an awesome unique atmosphere. The production is quite full and heavy for this kind of music, which actually works quite well in this case. The only thing people seem to have trouble with at first is the odd vocals, which admittedly may take a bit of getting used to for some, but once that hurdle has been jumped, there's much to enjoy. Keys are used tastefully (mostly in organ form) to create a dark atmosphere, and the riffs are cool, ranging from heavy to atmospheric to... bouncy? It's difficult to put exactly what I mean into words, but immediately upon hearing the opening riff of "The Curse of Poenari" you'll see what I mean. Regardless, this was an incredibly cool album that definitely had its own thing going on. Enjoy!

*Sorry guys, this one is only at 128 kbps. If anyone finds a larger bitrate file, let me know so I can switch out the link! Cheers!

From Behind the Light

Nehëmah - Light of a Dead Star

2010-06-20T05:16:00.003-06:00

Genre: Black Metal

Country: France

Year: 2002

Label: Oaken Shield

Nehëmah is an enigmatic black metal entity from France who just so happen to crank out some of the best black metal you've ever heard. The atmosphere is all-encompassing, plunging everything around you into a mystical night-realm, shifting subtly from dark, to evil, to sorrowful, to arcane, to epic, and at times, all at once. This is one of those bands that manages to play a style that has been done a million times and somehow breathe their own life into it and really make it their own. Nehëmah is easily one of the best black metal bands out there, and this was their spectacular pitch-black full-length debut, a great place to begin your journey into their world. Definitely not one to miss.

For fans of early Darkthrone, early Satyricon, Burzum, and Epheles.

Light of a Dead Star

Heresi - Psalm II: Infusco Ignis

2010-06-14T22:55:00.005-06:00

Genre: Black Metal

Country: Sweden

Year: 2006

Label: Total Holocaust Records

A friend of mine (who happens to run the Audio Ruin blog, which you should check out when you're done reading this) turned me on to this album recently, and I was immediately lamenting the fact that I've been missing out on it for the past four years. Psalm II - Infusco Ignis is a spectacular piece of black metal wrapped in a surprisingly full-bodied production. It's not slick and plastic sounding whatsoever - what I mean is that it's well-rounded with huge-sounding drums and an audible low-end that serves to make the music even more massive and all-encompassing. Epic whirlwind tremolos, evil mid-paced headbanging power-chord riffs, and stygian arpeggios comprise the sound here. This is no-frills, no gimmicks black metal played right, slaying all priests in its path and inverting all crosses in near proximity. The only drawback about this album is its painfully short length (barely over 28 minutes), but not a single second is wasted. Evil, epic, and cool as hell.

For fans of Darkthrone, Satanic Warmaster, and Judas Iscariot.

Psalm II: Infusco Ignis

Reverend Bizarre - Crush the Insects

2010-06-12T02:26:00.004-06:00

Genre: Doom Metal

Country: Finland

Year: 2005

Label: Spikefarm Records

Reverend Bizarre was a strange, awesome, heavy-as-balls doom metal band from Finland. Everything from the fuzzed-out guitar tone to the theatrical vocals of Albert Witchfinder oozes an occult, old-school feeling that is truly genuine, and the songs range from the mid-paced stomp of rockin' cuts like "Doom Over the World" and "Cromwell", to sluggish, crushing behemoths like "Slave of Satan" or "Eternal Forest". If you're interested in strange, poser-crushing doom with a cool old-school vibe, Reverend Bizarre is a must.

For fans of Candlemass, The Lamp of Thoth, and Briton Rites.

Crush the Insects

Briton Rites - For Mircalla

2010-06-12T00:03:00.009-06:00

Genre: Doom Metal

Country: U.S.A.

Year: 2010

Label: Echoes of Crom Records

Holy shit, this album is a goddamn riff apocalypse! Seriously, there are so many awesome riffs on this album that I can't believe a single human being wrote all of them. For Mircalla is an incredibly badass old-school feast for any doom maniac, replete with heavy guitars, occult lyrics, theatrical vocals, and did I mention RIFFS? I cannot stop spinning this monster! In fact, I'm ending this synopsis right now so you'll listen to it and grab a copy for yourself.

For fans of The Lamp of Thoth, Pentagram, and Witchfinder General.

For Mircalla

Night Conquers Day - Rebellion is the Art of Survival

2010-06-10T15:47:00.008-06:00

Genre: Black Metal

Country: U.S.A.

Year: 1999

Label: Hammerheart

This is an album that never fails to wow me, but it is incredibly difficult to summarize for some reason. It's just hard to put into words what this band was doing, I suppose, so I will keep this short. Rebellion is the Art of Survival is rife with genuinely awesome riffs, tasteful keyboards, cool as hell vocals, long, interesting songs - these guys had it all. The music is very unique, and Night Conquers Day really managed to create an atmosphere all their own, topping it all off with a very epic, mysterious feeling. At times thrashy, at times melodic, at times grim, but always gripping, Rebellion is the Art of Survival is definitely a lost gem of American black metal, and I highly, highly recommend it.

Rebellion is the Art of Survival

Absu - The Third Storm of Cythrául

2010-06-10T04:03:00.007-06:00

Genre: Black/Thrash Metal

Country: U.S.A.

Year: 1997

Label: Osmose Productions

Absu is one of my favourite American bands, blending thrash and black metal with occult atmospheres, awesome lyrical themes, and epic album artwork - in short, they have it all. Many people prefer Tara, the album that came after this one, and while that album is indeed fantastic (and includes "Stone of Destiny", my favourite Absu song), I think I prefer The Third Storm of Cythrául overall. Tara focuses on blisteringly fast riffs and leans heavily on the thrash side of their sound, whereas Storm is a bit more balanced. Even when the guitars are thrashing away and the drums are pummeling your face like a jackhammer, the arcane atmosphere still manages to ooze from every note. Absu is a unique band that plays vicious, epic music, and The Third Storm of Cythrául is a good way to introduce yourself to their stuff if you aren't already acquainted with it.

For fans of Desaster, Usurper, and Night Conquers Day.

The Third Storm of Cythrául

Obtained Enslavement - Witchcraft

2010-06-10T03:25:00.006-06:00

Genre: Symphonic Black Metal

Country: Norway

Year: 1997

Label: Wounded Love Records

Here's another band I feel doesn't recieve the accolades they deserve. Obtained Enslavement was formed in 1989 (the lineup included Pest of Gorgoroth fame on vocals), originally as a death/black metal band, but eventually they arrived at the wondrous symphonic black metal that would come to define their career. Witchcraft is often considered to be their best work, and I am not one to disagree. It's a spectaular album filled with dazzling arrangements and intricate, beautiful melodies that weave among one another to create a splendourous musical tapestry. This is one of those gems that takes you to a different world while you listen to it. Glorious.

For fans of Kataxu, Odium, Limbonic Art, and Emperor.

Witchcraft

White Skull - Tales from the North

2010-06-10T02:58:00.003-06:00

Genre: Heavy/Speed/Power Metal

Country: Italy

Year: 1999

Label: Nuclear Blast

Alright, I guess I have to get this out of the way up front: White Skull boasts one of the most badass female metal vocalists this side of Crystal Viper. Not only that, but her gruff tenor is backed by some awesome riffage. They play a sort of amalgam of heavy metal, speed metal, and power metal that actually works quite well. The songs are heavy, catchy, and well exectued, and Chris Boltendahl of Grave Digger fame even makes a guest appearance on a few tracks, which totally rules. So, if you want some fun, catchy heavy metal with female vocals that are way too true to wander anywhere near operatic pop-metal wankage territory, check this out stat!

For fans of Grave Digger, Running Wild, Crystal Viper, and early Blind Guardian.

Tales from the North

Blind Guardian - Battalions of Fear

2010-06-09T23:02:00.003-06:00

Genre: Speed Metal

Country: Germany

Year: 1988

Label: No Remorse Records

Before they became the greatest power metal band of all time, Blind Guardian were hanging out in the 80s churning out some kickass speed metal in true German fashion. Battalions of Fear was their full-length debut, and it rules. Expect lightning drums, molten steel riffs played at a thousand miles an hour, and big sing-along choruses delivered by the ever charismatic and majestic voice of Hansi Kürsch. Unfortunately, it seems that a lot of people overlook this era in the band's history, which is really a shame, because their pre-power metal days produced some of their most memorable songs. Classic.

For fans of Helloween, Running Wild, and Stormwarrior.

Battalions of Fear

Desaster - A Touch of Medieval Darkness

2010-06-09T20:07:00.004-06:00

Genre: Black/Thrash Metal

Country: Germany

Year: 1996

Label: Merciless Records

Desaster is an extremely cool German band that I don't hear getting talked about too often, which is a damn shame. They play an addictive brand of thrashing black metal that is at times more black and at times more thrash, but regardless of what kind of riffage they're tearing your face off with, you can rest assured it fucking slays. This is no-gimmicks metal, no keyboards, no female vocals, just riff after riff of kickass metal that makes no compromise and takes no prisoners. A Touch of Medieval Darkness is the band's first full-length, and I really love the titular dark medieval atmosphere they managed to saturate their sound with. This is the most 'black' and least 'thrash' of their albums, and as a result, it has the most pervasive atmosphere, which I really enjoy. Don't get me wrong, the pedal-to-the-metal black-thrashing assault of their later albums totally rules too, but part of me has a soft spot for the overall feeling and mood of A Touch of Medieval Darkness. I hope you enjoy it as much as I do!

For fans of Deströyer 666, Nocturnal, Aura Noir, and Usurper.

A Touch of Medieval Darkness

Odium - The Sad Realm of the Stars

2010-06-09T18:40:00.010-06:00

Genre: Symphonic Black Metal

Country: Norway

Year: 1998

Label: Nocturnal Art Productions

Continuing with the 'cosmic' theme of the previous post, I bring you Odium's only full-length release: The Sad Realm of the Stars. And what an album it is! It's really a shame we never got anything else from these guys (according to Metal Archives, they're 'on hold'... maybe, maybe, maybe they'll do something in the future?). This is a fantastic symphonic black metal album, tastefully executed and well arranged, creating a fantastic atmosphere and retaining energy and honesty throughout. Besides the somewhat obnoxious snare sound during blast beat sections, the production fits the music well, and the band does a very good job of retaining a balance between beautiful, haunting passages and the more vitriolic moments. Definitely not an album to miss for fans of the genre.

For fans of Kataxu, Limbonic Art, Obtained Enslavement, and Emperor.

The Sad Realm of the Stars

Kataxu - Hunger of Elements

2010-06-09T18:30:00.005-06:00

Genre: Symphonic Black Metal

Country: Poland

Year: 2005

Label: Supernal Music

This is one of those albums that has you slack-jawed in awe throughout your first listen. With Hunger of Elements, Kataxu presents massively epic black metal of the absolute highest echelon, sporting a cool, stardust-shrouded production through which beautiful crystalline symphonic keyboard arrangements wander, plummeting and transcending, enveloping the listener in its unique sonic landscape and not letting go until the final track fades into the distance. There is a very 'cosmic' atmosphere to Hunger of Elements; I can't help but imagine nebulae and galaxies drifting by (or careening past, depending on the song), and I've never heard another album that quite captures the same feelings and imagery as this one does. Mandatory listening for anyone who likes tastefully executed and colossally epic keyboard-based symphonic black metal. Breathtaking.

For fans of Emperor, Obtained Enslavement, Limbonic Art, and Odium.

Hunger of Elements

Deviser - Transmission to Chaos

2010-06-07T04:36:00.006-06:00

Genre: Atmospheric Death/Black Metal

Country: Greece

Year: 1998

Label: Mascot

Deviser is an obscure Greek band playing an interesting blend of death metal and atmospheric keyboardy black metal (the good kind, not the lame kind). The cover artwork is incredibly cool, and is actually what drew me to this album in the first place. The music within is also incredibly cool, characterized by a mystical, arcane atmosphere that really makes Transmission to Chaos a treat to listen to. Some songs have a more black metal vibe, while some are a bit more on the death metal side of the fence, making the overall sound difficult to describe. It doesn't sound disjointed as that might imply, however, as the overall album has a very cohesive atmosphere. This is a work of art forged in the depths of the underground. Awesome.

Transmissions to Chaos

Desultory - Into Eternity

2010-06-07T04:13:00.004-06:00

Genre: Death Metal

Country: Sweden

Year: 1993

Label:

Here we have some truly fantastic old-school Swedish death metal. I don't it them mentioned much when the topic comes up, which is a shame, because this is really a gem of an album. Into Eternity offers a surprisingly diverse music palette, churning though thrashy riffs, epic melodic passages, and all-out death metal assault, often across the breadth of one song. There is a very big, sprawling feeling to the album, and the production is spot-on, being raw enough to remain visceral and retain a dark atmosphere but clean enough that all the instruments are very clearly audible and, when the music demands it, very heavy. Unfortunately, none of their other albums can hold even a semblance of a candle to this one (and their last release was an abominable groove metal abortion - we're talking Pantera-meets-Shadows-Fall stuff...), but Into Eternity stands as a forgotten classic, and definitely one of my favourite death metal albums.

Into Eternity

Keen of the Crow - Hyborea

2010-06-05T22:51:00.007-06:00

Genre: Doom/Death Metal

Country: U.S.A.

Year: 1997

Label: Garu Records

Keen of the Crow was short-lived American doom metal band that unfortunately only brought us one full-length before splitting up. It was formed by two ex-members of Morgion following their split, and in my opinion, the music on this album is cooler than their original band's later output. This is a truly spectacular death/doom monument, featuring epic, heavy riffs, diverse and well-executed vocals, and a big, fat production job that suits the music perfectly. Lyrically this is all Robert E. Howard stuff (as you undoubtedly noticed from the title), and it's really cool to see a band successfully taking a different musical approach to such topics. With Hyborea, Keen of the Crow has forged an epic, heavy, dynamic beast of an album, and it's really a shame we won't be hearing more from them.

For fans of Morgion, Mourning Beloveth, Runemagick, and Novembers Doom.

Hyborea

Stormwarrior - Northern Rage

2010-06-05T18:22:00.006-06:00

Genre: Speed Metal

Country: Germany

Year: 2004

Label: Remedy Records

Stormwarrior's Northern Rage is a rip-roaring, pedal to the metal monster of a speed metal album. These guys play fast, catchy metal and are very, very good at it. They obviously have a soft spot for early Helloween, a fact made all the more apparent by Kai Hansen's hand in the album's production and guest appearance on the song "Heroic Deathe". Basically, this is everything you'd hope for from a German speed metal band, replete with big, memorable choruses, spectacular leads, and high octane riffs played at breakneck pace. If you're a fan of the genre, you really cannot go wrong with Northern Rage.

For fans of Helloween, Running Wild, Gamma Ray, and early Blind Guardian.

Northern Rage

Usurper - Twilight Dominion

2010-06-01T22:06:00.005-06:00

Genre: Thrash/Black Metal

Country: U.S.A.

Year: 2003

Label: Earache Records

Usurper is an incredibly cool and criminally overlooked American band that has been cranking out their own unique brand of blackened thrash metal since 1993. These guys are absolute lords of slinging molten steel through your speakers, with blistering riffs, a thundering rhythm section, and a killer vocal assault (very reminiscent of Tom G. Warrior). This is some serious headbanging material full of heavy, ripping guitar work and choruses that really get stuck in your head. If you're looking for something vicious, hard rockin', and fun (in a malevolent kind of way), then Twilight Dominion is right up your alley.

For fans of Nocturnal, Celtic Frost, Deströyer 666, and Aura Noir.

Twilight Dominion

Candlemass - Nightfall

2010-05-29T20:52:00.005-06:00

Genre: Doom Metal

Country: Sweden

Year: 1987

Label: Active Records

Here is my favourite album by my favourite doom metal band. Yet another album that I will never be able to do justice to with words, so I'll keep this short and sweet as I'm sure many of you already own and adore this classic. Nightfall was Messiah Marcolin's debut with Candlemass, and he really took them to a new level. Don't get me wrong, I absolutely love Epicus Doomicus Metallicus, and I think Johan Langquist did a fantastic job at the mic, but for me, it is the Messiah period that truly defines the band. His voice is simply one of the greatest that have ever graced a metal album, marking each track with its signature immaculate technique and entrancing charisma. As for the music itself, Nightfall is epic, dark, huge, and Heavy with a capital 'H'. This album will crush you flat with its leaden doom stomp, and some of Leif Edling's best riffs are immortalized here. Every single song on Nightfall is a masterwork, and it is absolutely essential to every metal fan's collection. See you at the gallow's end!

For fans of Ereb Altor, Solitude Aeternus, Reverend Bizarre, and Isole.

Nightfall

Manilla Road - Crystal Logic

2010-05-29T19:53:00.009-06:00

Genre: Heavy Metal

Country: U.S.A.

Year: 1983

Label: Roadster

If you follow this blog to any extent whatsoever, you know that I'm a die-hard Manilla Road fan. Thus, I think it's time I post another one of their albums. While Gates of Fire is my overall favourite 'Road album, this one is generally considered to be their 'classic' release. It's no wonder, either - the songs are catchy, the riffs rule, the atmosphere is epic, and Mark "the Shark" Shelton's vocals make their first appearance in the unique style that he's known for on all their subsequent albums. As I always say, there's not much I can write that hasn't already been said about such a classic album. Just know that if you're a fan of awesome, unique, epic old-school heavy metal, this is required listening that is essential to your collection.

For fans of Omen, Cirith Ungol, and Ironsword.

Crystal Logic

Nazgûl - De Expugnatione Elfmuth

2010-05-29T19:17:00.006-06:00

Genre: Symphonic Black Metal

Country: Italy

Year: 2002

Label: Elegy Records

In a continuing "for fans of Summoning" theme, I bring you Italy's Nazgûl. My favourite thing about this album is that it is basically the Warcraft II soundtrack set to metal. That's the Warcraft II from 1995 when the franchise was still dark and totally ruled, and being my all-time favourite video game soundtrack by a long shot, De Expugnatione Elfmuth's striking resemblance to it immediately won it a special place in my heart. Let me get the negatives away right off the bat: the vocals take some getting used to, to put it gently. Also, the lyrics are all in Latin because the band felt it added an epic touch, and it might have were we able to understand a word of it. That aside, the music completely fucking owns. Basically, it's black metal drenched in a kick-ass MIDI orchestra that gives the songs a really cool swords-and-sorcery feeling. The arrangements themselves are actually extremely well-done, and repeated listens reveal subtle complexity to the orchestrations that make this album a real treat to listen to. The Italian duo actually do pull of an extremely epic sound with their music, and it's really great for getting that MIDI-driven medieval fantasy atmosphere that only a small cadre of bands seem to be able to pull off well. Oh, and to top it all off, it's pretty much a concept album about a bunch of orcs committing elf genocide, which is awesome, because we all know that elves suck.

For fans of Summoning, Elffor, and Sear Bliss.

De Epugniatone Elfmuth

Elffor - From the Throne of Hate

2010-05-29T18:50:00.008-06:00

Genre: Symphonic Atmospheric Black Metal/Ambient

Country: Spain

Year: 2004

Label: Self-Released

Here we have some really cool medieval flavoured atmospheric black metal from Spain. Sole member Eöl seems to have a very strong affinity for Summoning, and this is definitely a good band to check out if you want something that has a somewhat similar feeling to it. Elffor has a very cool dark fantasy atmosphere, and the keyboard sounds often remind me of old fantasy-themed computer games I grew up playing (which is awesome and makes me feel nostalgic, ha!). From the Throne of Hate has proved to be a really great album to read to due to its immersive atmosphere, atmospheric and ambient leanings, and laid-back tempos. All of Eöl's works have something great to offer, but this is my overall favourite of his releases as I feel that it provides the best balance between ambient medieval interludes and keyboard-laden metal passages. Elffor is one of those rare bands where the keyboards being the focus of the music is actually a good thing. So, in summary, if you're intching to bust out your bloodstained battleaxe and chainmail in preparation to go on a quest through the dark ancient forest beneath hateful brooding winterskies, then this album will suit your mood perfectly!

For fans of Summoning, Nazgûl, Sear Bliss, and Fear of Eternity.

From the Throne of Hate

Summoning - Stronghold

2010-05-29T03:52:00.005-06:00

Genre: Epic Atmospheric Black Metal

Country: Austria

Year: 1999

Label: Napalm Records

Summoning are one of my all-time favourite bands. That being the case, it will be difficult for me to review any of their material because I could never possibly come anywhere close to doing any of it justice. On the other hand, pretty much anyone following this blog is already a fan of the band so it's really of little consequence. But, on the off chance any of you have had the legendary Austrian duo on your "to listen" list but never got around to it, I'm going to post a handful of their albums so that you can discover them for yourself. First thing's first - there is no other band like Summoning. Sure, there are bands that work very hard at emulating their style, but nothing quite ends up producing the same effect. They are truly unique, and I deeply respect them for having forged their own niche in the music world in the way they have. The key component to Summoning's music is atmosphere. Vast, sprawling soundscapes that are unfathomably huge are depicted by shimmering arpeggios and lilting tremolo melodies overlayed with beautiful symphonic arrangements and their trademark percussion section. Instead of using a standard metal drumkit, Protector and Silenius employ a combination of programmed war-drums and tambourine to drive the music, and the effect is fantastic, painting in the mind's eye panoramic scenes of armies marching to distant mist-shrouded realms and ancient arcane citadels perched atop storm-robed mountains... well, you get the idea. Basically, each and every one of their albums is a masterpiece that is a world unto itself, taking the listener on unforgettable journeys that only Summoning can provide. Stronghold is definitely one of my favourite albums of theirs, standing shoulder-to-shoulder with the majestic Oath Bound. It is one of their darker albums, and contains some of their most memorable songs. I feel like it is a great way to get familiar with the band, as it incorporates a very balanced palette of the elements of their music and provides a very good idea of what the band is all about. Summoning has, simply put, redefined the word 'epic' in a musical context. Beautiful, riveting, breathtaking, and mandatory.

For fans of Elffor, Nazgûl, and Sear Bliss.

Stronghold

Hypocrisy - Osculum Obscenum

2010-05-29T02:50:00.004-06:00

Genre: Death Metal

Country: Sweden

Year: 1993

Label: Nuclear Blast

Behold the coolest fucking cover artwork Hypocrisy ever had. Actually, this is probably one of my top 10 favourite album covers of all time. But I digress - to the music! This was the band at its most evil, visceral, and, in my opinion, most awesome. Osculum Obscenum is very heavy, with a really cool guitar tone and a much better drum sound than the preceding debut. I do wish that Mr. Tägtgren himself had been the vocalist on this album, as I really love his vocals, but Magnus Bromberg's growls are still well done and very sinister. There is also a surprisingly cool cover of "Black Metal" by Venom thrown into the mix that actually manages to mesh quite well with the rest of the music. I really don't need to say much about Osculum Obscenum, seeing as it's a classic and I'm sure most of you are already very much familiar with it, but I wanted to include it anyway because of how hard it rules.

For fans of Morbid Angel, Bolt Thrower, Pestilence, and Desultory.

Osculum Obscenum

While Heaven Wept - Vast Oceans Lachrymose

2010-05-27T09:15:00.007-06:00

Genre: Heavy/Doom Metal

Country: U.S.A.

Year: 2009

Label: Cruz Del Sur

This album was a top pick of mine from 2009, blasting its way onto the scene with its top-notch production, fantastic musicianship, and great songwriting. This is definitely my favourite While Heaven Wept release because, while their least doomy, it is their most powerful and convincing performance. The riffs are heavy, the keys are tasteful, and the vocals are passionate, with memorable choruses and melodies that really stick with you after the album's end. There is definitely an epic feeling to it all, and at times the music seems larger than life, really sweeping the listener into its gigantic songs. Vast Oceans Lachrymose is a dynamic and refreshing outing from a seasoned band, and it definitely deserves an attentive listen.

For fans of Candlemass, Mael Mórdha, Solitude Aeternus, and Old Season.

Vast Oceans Lachrymose

Basil Poledouris - Conan the Barbarian: Original Motion Picture Soundtrack

2010-05-27T08:44:00.007-06:00

Genre: Soundtrack

Country: U.S.A.

Year: 1982

Label: Warner

Alright, I know this is a non-metal album on a metal blog, but in my defense, Conan the Barbarian is about as metal as it gets. This is one of the best movie soundtracks out there, and you know you loved the film anyway, so listen and enjoy!

Conan the Barbarian: Original Motion Picture Soundtrack

Artillery - By Inheritance

2010-05-27T08:19:00.005-06:00

Genre: Speed/Thrash Metal

Country: Denmark

Year: 1990

Label: Roadrunner

Get ready for some kickass Danish thrashing speed metal! By Inheritance completely slays - blazing riffs, thundering drums, killer vocals, this album has it all. This is good old-fashioned denim-clad metal done the right way, no two ways about it. Many of the choruses here are downright infectious and demand rowdy sing-alongs, and the guitarwork will no doubt have your air guitar flying and your head flailing. Flemming Rønsdorf's voice is definitely a high point for me, and this album simply would not be what it is without him. By Inheritance is definitely an overlooked classic, so don't miss out!

For fans of Angel Dust, Grave Digger, Running Wild, and Accept.

By Inheritance

Nokturnal Mortum - Голос Сталі

2010-05-26T23:23:00.012-06:00

Genre: Folk Metal

Country: Ukraine

Year: 2009

Label: Oriana

I'm just going to go ahead and discuss the album at hand and leave the political discussions to you guys. What I care about is the music - and what fantastic music it is! Голос Сталі is easily the band's best work since Goat Horns (actually, I think it's better, standing right up there just underneath Lunar Poetry). The band somehow managed to work in hints of Pink Floyd and King Crimson and have it mesh seamlessly with their folk metal base. I don't know how, but they did. It sounds pretty absurd on paper, but in practice, the Ukrainian five-piece has forged the unlikely combination into an absolutely sublime work of art. There are more clean vocals on this album than on any of their past works, but they are put to great use and really help enhance the music, and there are some absolutely scorching leads provided by some guest shredders that help round out the massive, epic leanings of the songs. My only complaint here is that the production isn't quite big and full enough to support the enormous ambition of the songs, but it's still listenable and in the end it isn't much of an issue at all. Folk metal has become very tiresome and plastic to me, but Nokturnal Mortum has breathed a breath of fresh air into the genre with this beast. Голос Сталі was definitely one of my favourite albums of last year, and it's definitely not one to miss.

For fans of Moonsorrow, Аркона, Munruthel, and Skyforger.

Голос Сталі

Runemagick - Enter the Realm of Death

2010-05-26T22:44:00.005-06:00

Genre: Death Metal

Country: Sweden

Year: 1999

Label: Century Media

I love the dark, arcane feeling of this band. Runemagick plays a unique brand of death metal (and doom/death later on in their career) that incorporates a very obscure, occult atmosphere and crushingly heavy riffs, relying on memorable guitar hooks rather than blasting and technicality. This is one of their earlier albums, and also one of my favourites, so it's much more in death territory than doom. Every song on Enter the Realm of Death has cool riffs in it. You'll find yourself banging your head uncontrollably at many points during its 54 minute runtime, a condition made all the better by the thick, fat, moon-consuming guitar tone and fantastic heavy-as-hell drum production. Prepare to enter the realm of death!

For fans of Cianide, The Chasm, and Desultory.

Enter the Realm of Death

Running Wild - Black Hand Inn

2010-05-25T02:41:00.008-06:00

Genre: Speed Metal

Country: Germany

Year: 1994

Label: Noise

Running Wild are (or "were", as was announced to my dismay in April 2009) definitely one of my favourite speed metal bands, and Black Hand Inn is probably my favourite out of their discography. In the band's long-running tradition, this album is all about fast, kickass riffs and Rock n' Rolf Kasparak's powerful, throaty vocals. Running Wild have always been a 'fun' band, but make no mistake, this album is chock-full of scorching guitar work, lightning drumming, and anthemic choruses. So listen, enjoy, and respect the fact that I managed to make it though an entire Running Wild synopsis without using the words 'scurvy', 'avast', or 'mateys'.

For fans of Grave Digger, Artillery, Angel Dust, and Accept.

Black Hand Inn

Merciless - Merciless

2010-05-25T02:15:00.008-06:00

Genre: Death/Thrash Metal

Country: Sweden

Year: 2003

Label: Black Lodge

Merciless is a Swedish death metal band who injects a healthy dose of thrash into the mix and crushes your skull with it. They've been around since 1990, and were actually the fist band to sign to Deathlike Silence Productions. This is heavy, catchy death/thrash metal with no gimmicks - just good riffs and good songs. This album really doesn't have any weak points, and remains high-energy for its entire length. This is definitely one of my favourite death metal bands, and I'm keeping my fingers crossed for another album (it's been 7 years since their last release, but apparently they're still active). All of their albums are guaranteed to make you bang your head, so grab a copy and prepare to thrash!

Merciless

Walknut - Graveforests and Their Shadows

2010-05-25T01:31:00.006-06:00

Genre: Atmospheric Black Metal

Country: Russia

Year: 2008

Label: Stellar Winter

I find it extremely difficult to review my all-time favourite albums. As I mentioned in my post on Manilla Road's "Gates of Fire", I feel like there's nothing I can say to really make sense of the way I feel about the music at hand, and that is definitely the case with Graveforests and Their Shadows. I will do my best, but the only way to truly grasp what Walknut is about is to buy a copy of the CD or vinyl and immerse yourself in it. There is simply no other album out there that creates an atmosphere the same way Graveforests does. The colossal, whirring wall of sound created by the guitars is absolutely megalithic, enveloping the listener in its world of vast solitude and loneliness for its entire length. Stringsskald's vocals are set low in the mix and sound like they are coming from a million miles away (and were apparently recorded in the woods), and Ravnaskrik's lyrics do a fantastic job of enhancing the mood of the music (though the only way to really understand what they are is to read the lyrics in the booklet). I really wish I could do a better job reviewing this, but I really can't put it into words. This album is far above and beyond most 'atmospheric' metal albums, and if you're a fan of black metal in general, this is one of those albums that you need to hear at least once before you die.

For fans of Drudkh, Burzum, and Hate Forest.

Graveforests and Their Shadows

Crystal Viper - The Curse of Crystal Viper

2010-05-25T00:48:00.007-06:00

Genre: Heavy Metal

Country: Poland

Year: 2007

Label: Karthago Records

Fans of rifftastic traditional metal, stop reading right now and buy a copy of this beast! This album is packed with to the breaking point with awesome riffs and catchy choruses that will have your head flailing from start to finish. Vocalist Marta Gabriel belts forth Crystal Viper's metal anthems in an awesome gritty tenor, and riffmaster Andy Wave cranks out riff after hook after riff, and the solos are absolutely spot on. They wear their influences on their sleeves, and due to their appearances on tribute albums to Cirith Ungol, Manilla Road, and Angel Witch, it doesn't take a lot of sleuthing to gather what Crystal Viper are all about. The most common complaint with this album is that the choruses get repeated a bit too often, but you know what? They're so awesome and catchy that I really don't care. There is nothing "progressive" or "innovative" about this band (I, for one, am not complaining whatsoever), so grab your denim vests and leather jackets, people - this is Metal with a capital 'M' done the right way with riffs and attitude to spare. From the second it was released, The Curse of Crystal Viper was a classic. Mandatory.

For fans of Running Wild, Manilla Road, Cirith Ungol, and Omen.

The Curse of Crystal Viper

Pagan Altar - Lords of Hypocrisy

2010-05-21T02:13:00.011-06:00

Genre: NWOBHM/Doom Metal

Country: United Kingdom

Year: 2004

Label: Oracle Promotions

Enter Pagan Altar, lords of keeping it old-school. One of the few NWOBHM groups to play a more doomed-out style, the band was formed 1978 and recorded their first full-length in 1982, but it didn't see release until 1998. They've picked their career back up, releasing this album in 2004 and the awesome Mythical and Magical full-length in 2008. The magic of this band stems from the fact that they still sound very much stuck in the late 70s, and it's a real treat to listen to. The guitar tone has that sound that simply cannot be reproduced by more up-to-date equipment, and the production is clean and full but retains the mystical decades-past feeling of the music. Lead guitarist Alan Jones is an absolute wizard with his instrument, churning out unforgettable riffs and soulful leads song after song. Singer Terry Jones obviously still has it, topping the music off with his cool, unique vocals. His voice does a lot to enhance the mood of the album - an aesthetic that is 100% authentic and very, very addictive. The songs are complex, dynamic, and epic in their own way, but always stay true to the timeless late 70s vibe that pervades every last note of the album's 50 minute runtime. This band is essential for every fan of very old-school rockin' NWOBHM/doom metal. Fantastic.

Lords of Hypocrisy

Aldaaron - Nous Reviendrons Immortels

2010-05-20T07:12:00.016-06:00

Genre: Black Metal

Country: France

Year: 2010

Label: Paragon Records

I have been spinning this one a lot lately. This French black metal outfit has apparently been around since 2004, but didn't release their first demo until 2007. I thought the demo showed promise, and I'm glad to see that Aldaaron not only lived up to it, but surpassed it with flying colours with this, their full-length debut. Huge, sweeping melodies and awesome folk-tinged riffs take centre stage - and when I say folk-tinged, I don't mean sugary keyboard-drenched wankery, I mean ice-cold guitar melodies that soar above the wall of sound to provide an epic, dark medieval atmosphere. The occasional acoustic guitar makes its presence known here and there, and short but sweet ambient sections add nice dynamics to the overall flow of the album. Keys are used sparingly and with very good taste, always mixed low and adding background atmosphere as opposed to being the focal point of the music. The production is absolutely perfect, being just raw enough to create an enveloping atmosphere, but clean enough for those huge, powerful melodies to cut through. Definitely not an album to miss for those of you who appreciate medieval-flavoured black metal free of keyboard abuse and gimmicks. I can already tell that Nous Reviendrons Immortels will be one of my favourite albums of 2010. Breathtaking.

For fans of Angantyr, Windir, Aorlhac, and Mistur.

Nous Reviendrons Immortels

Ironsword - Overlords of Chaos

2010-05-19T15:17:00.016-06:00

Genre: Heavy Metal

Country: Portugal

Year: 2004

Label: The Miskatonic Foundation

Continuing with the previous post's Adjectivesword theme, I bring you the mighty Ironsword of Portugal. These guys grab you by the back of the head and slam your face through a wall of pure metal and make you enjoy every last second of it. Chunky, heavy old-school riffs, and throaty, barbaric vocals are the modus operandi here. This band obviously worships at the altar of Manilla Road in a BIG way (in fact, Mark the Shark actually does guest vocals on a couple of songs, which is incredibly fucking cool), and their lyrics make apparent their affinity for awesome topics (we're talking a massive overdose of Robert E. Howard, et al). This simply rules all-around.

For fans of Manilla Road, Omen, and Doomsword.

Overlords of Chaos

Doomsword - My Name Will Live On

2010-05-19T14:45:00.010-06:00

Genre: Epic Heavy Metal

Country: Italy

Year: 2007

Label: Dragonheart

This is one of those albums that gives you a feeling of immense satisfaction as soon as the verse of the first song begins. It's just got a great epic, old school atmosphere in everything from the riffs to the production to the leads and melodies - everything is in place. This is an album that seems as if it barely fits on the disc, with songs that are larger than life and choruses that could inspire an army of warriors as well as any commander's speech. No filler, just honest, powerful heavy metal that owns from start to finish. Spectacular.

For fans of Manilla Road, Battleroar, Ironsword, and Omen.

My Name Will Live On

Sear Bliss - Glory and Perdition

2010-05-19T12:15:00.014-06:00

Genre: Symphonic Atmospheric Black Metal
Country: Hungary
Year: 2004
Label: Red Stream

Sear Bliss is one of my all-time favourite black metal bands. They're atmospheric without being repetitive, symphonic without being trendy, and have been carving a very unique niche for themselves since 1993 (a niche that includes an actual brass player who records trombone, trumpet, and other brass parts in place of synthesizing them). I've chosen this particular album because it provides a pretty good idea of what the band is all about. There is a very arcane feeling to their music, an atmosphere that is very their own and difficult to describe but very obvious and present throughout all their music. They have a very unique approach to the black metal genre, and sound like no-one else. Sear Bliss is a very epic band, creating complex, brooding compositions that truly carry you to a different world. Beautiful.

For fans of Summoning, Forest Silence, Nazgûl, and Elffor.

Glory and Perdition

The Lamp of Thoth - Portents, Omens and Dooms

2010-05-19T12:02:00.013-06:00

Genre: Doom Metal

Country: United Kingdom

Year: 2008

Label: The Miskatonic Foundation

Portents, Omens and Dooms is one of the most awesome doom metal albums I've heard in quite some time. These guys (and gal) are intent on keeping it old school and... well, doomy as hell. From the immediate onset of the first song, your head will be banging and your air guitar will be shredding, all of which will continue for the entire length of the album. The vocals are definitely a highlight here, bringing a charismatic, theatrical touch the the awesome occult lyrics, and the riffs themselves are a force to be reckoned with. This is an absolute must-have for fans of old-school doom.

For fans of Witchfinder General, Reverend Bizarre, and Pagan Altar.

Portents, Omens and Dooms

Ereb Altor - By Honour

2010-05-19T11:47:00.007-06:00

Genre: Doom Metal

Country: Sweden

Year: 2008

Label: I Hate Records

This album is probably one of the most awesome odes to Viking-era Bathory I have ever had the pleasure of hearing. Ereb Altor is a Swedish outfit that obviously worships Quorthon, and do a very, very good job of it. Make no mistake, however - this is doom metal, and the overall pace of the album is rather ponderous, which works very well for the music. Monolithic riffs and epic vocals are the name of the game here, and this is a heavy, majestic, beautiful album that Mr. Forsberg himself would no doubt be proud of.

For fans of Bathory, Candlemass, Isole, and Morrigan.

By Honour

Battleroar - To Death and Beyond

2010-05-19T11:36:00.006-06:00

Genre: Epic Heavy Metal

Country: Greece

Year: 2008

Label: Cruz Del Sur

Battleroar served up some serious Greek epic metal with To Death and Beyond. These guys are obviously big fans of Manilla Road (which is made even more evident by the cover song), and the album is absolutely packed with awesome riffs and dynamic compositions that are sure to have your head banging and your fist in the air. Death before disgrace!

For fans of Manilla Road, Holy Martyr, Doomsword, and Omen.

To Death and Beyond

Omen - Battle Cry

2010-05-19T11:12:00.011-06:00

Genre: Heavy Metal

Country: U.S.A.

Year: 1984

Label: Metal Blade Records

This album is one of the coolest (and unfortunately unheralded) metal classics. While the running time may be on the short side, rest assured that there is absolutely no filler. Battle Cry completely rules start to finish, and boasts some of the catchiest metal choruses ever recorded. This album is absolutely integral to any metal fan's collection. Bow down to the Axeman!

For fans of Manilla Road, Cirith Ungol, Doomsword, and Ironsword.

Battle Cry

Cirith Ungol - One Foot in Hell

2010-05-19T10:52:00.011-06:00

Genre: Heavy Metal

Country: U.S.A.

Year: 1986

Label: Metal Blade Records

Cirith Ungol is one of the most criminally overlooked, underrated classic heavy metal bands out there. Catchy songs, epic atmosphere, cool lyrics, awesome artwork (taken from the original printings for the book covers of Michael Moorcock's Elric saga, no less) - they had it all. Tim Baker's unique and unmistakable vocals are impossible to ignore, and they're usually touted as a sort of "love 'em or hate 'em" thing, but god damnit, I love them. Cirith Ungol would not be Cirith Ungol without his crazy inimitable voice soaring and ripping over the top of the music. Every song is memorable in its own right, replete with infectious choruses and riffs that are sure to get your head flailing. Essential.

For fans of Mercyful Fate, Manilla Road, Brocas Helm, and Omen.

One Foot in Hell

Holy Martyr - Still at War

2010-05-19T10:44:00.007-06:00

Genre: Epic Heavy Metal

Country: Italy
Year: 2007

Label: Dragonheart Records

Following in the epic heavy metal footsteps of the previous post, I bring you Italy's Holy Martyr. Don't let the questionable name fool you - Holy Martyr is a massively epic true metal band that churns out huge riffs accompanied by awesome vocals and anthemic choruses. No keyboards or gimmicks here, just classic epic heavy metal done right. The lyrics all focus on ancient Roman history and mythology, which is a welcome departure from the Nordic and fantasy themes we are usually treated to. Hail Hellas!

For fans of Manilla Road, Battleroar, Omen, and Ironsword.

*Unfortunately, the highest bitrate I'm seeing on the internet is 128kbps. If you find a non-Rapidshare link that leads to a higher bitrate version of this album, please let me know!

Still at War

Manilla Road - Gates of Fire

2010-05-19T09:49:00.014-06:00

Genre: Epic Heavy Metal

Country: U.S.A.

Year: 2005

Label: Battle Cry Records

Manilla Road is a band that should require no introduction. There really isn't anything I could possibly write that could do this masterpiece justice. Gates of Fire is, in my opinion, the band's best album (yes, I even prefer it to the classic Crystal Logic), and is a great way to discover this epic, timeless band. I cannot believe the music at hand even fit inside a plastic disc. The riffs are colossal, the vocals are mighty, the drumming is oceanic, and the production pulls it all together perfectly. Top it off with triple concept lyrics (songs 1-3 are about Robert E. Howard's The Frost Giant's Daughter, songs 4-6 are about Virgil's Aenid, and songs 7-9 are about the Battle of Thermopylae) and a musical atmosphere that compliments them all beautifully, and you have another Manilla Road classic on your hands - one that somehow manages to surpass the genius catalogue that precedes it. Mark "the Shark" Shelton and Co. have outdone themselves with this one. I could go on and on about how incredible it is, but I'll just stop now and let you find out for yourself. This is true heavy metal at its finest, and easily one of my favourite albums of all time. Up the hammers!

For fans of Cirith Ungol, Doomsword, Ironsword, and Omen.

Gates of Fire